It always starts the same way.
A kid with juice in his bones, fire in his hands, and promise thick enough to choke on.
And then the machine turns on.
Jonathan Kuminga was supposed to be one of the good ones. A freak of nature with a seven-foot wingspan, leaping over doubt like it was painted on the floor. We saw it in flashes—21-point quarters, thunderclap dunks, weakside blocks that made you believe in God again. But the problem with flashes is they burn out. And the problem with promise? It doesn’t pay the rent.
So here we are. July’s heat baking the league in boredom, and Golden State’s front office just slid a $7.9 million qualifying offer across the table like a stale drink at a dive bar—lukewarm, but enough to say: “We still believe in you, kid. Just… not too much.”
They call it a lifeline, but it feels more like a leash.
Kuminga wants $25 million a year, and he wants it the way a young man wants everything before he knows what the world really costs. Not just the money. The minutes. The freedom. The damn ball in his hands. But this is Steve Kerr’s kingdom, and if you’re not cutting backdoor and dancing in rhythm, you’re exiled to the corner. Ask Jordan Poole. Ask Wiseman. Ask the bones in Andre Iguodala’s ankles.
They love potential in Golden State. Until they don’t.
Phoenix Rising (Sort of)
Now the Suns—bloated with stars, desperate for meaning—are sniffing around.
They’re dangling Dillon Brooks, the league’s most lovable villain, a man who plays defense like it’s war and insults like it’s art. He makes $21 million, throws elbows, and can’t help but talk—even when nobody’s listening.
But he fits. Lord help us, he fits.
He gives the Warriors what they lost when Draymond started chasing ghosts—defense, grit, a middle finger to convention. And he gives Phoenix a shot at rebirth. A chance to mold Kuminga into something terrifying alongside Booker and Jalen Green. The desert air might be good for him. Less history. More hunger.
If this becomes a sign-and-trade, it’s not about numbers—it’s about dreams gone sideways.
The Poetry of a Pivot
This isn’t just a roster move.
It’s the quiet resignation of an empire in its dusk.
Golden State once built dynasties with patience and arrogance. But now?
They’re just rearranging chairs on a stage that smells like memory.
Kuminga was supposed to be the bridge.
Now he’s the business.
And Brooks, for all his bravado, represents something cruelly ironic—maturity. He knows who he is. The league tried to exile him in Memphis. He laughed, cashed his check in Houston, and kept swinging. Say what you want, but he fits the mold of an aging Warriors team better than a kid still trying to figure out if he’s a star or a sixth man.
What Happens When the Music Stops?
Maybe Kuminga signs the offer.
Plays out one more year in the shadow of Steph’s brilliance, in the echo of banners, while his value erodes like a sandcastle in tide.
Or maybe they pull the trigger—send him to Phoenix.
Let the Suns roll the dice on youth, potential, and the kind of sky-high ceiling that breaks your neck looking up at it.
Either way, one thing’s for sure:
This league doesn’t love you.
It uses you.
Chews you up, spits your bones on the hardwood, and wraps it all in press releases and polite pressers.
The Final Drink
Jonathan Kuminga is 21 years old.
He’s scored 30 in NBA games, and he’s also sat watching Kevon Looney get his minutes.
He’s tasted the wine and the vinegar, sometimes in the same damn quarter.
And now, with one hand on the pen and the other on his heart, he’s got a choice:
Stay where the light’s fading?
Or run toward the fire?
Either way, this is where it begins or ends.
The poet in me hopes he flies.
But the poet in me knows—sometimes, the lifeline is just a noose dressed up in good intentions.
God help the kid.
God help them all.